By Carolyn Springer
During the Italian Wars of 1494 to 1559, with thoughts in army know-how and strategies, armour started to disappear from the battlefield. but as box armour was once retired, parade and ceremonial armour grew more and more flamboyant. Displaced from its utilitarian functionality of safeguard yet retained for symbolic makes use of, armour advanced in a brand new path as a medium of inventive expression.
Luxury armour turned a main accent within the functionality of elite male identification, coded with messages concerning the owner's social prestige, family tree, and political alliances. Carolyn Springer decodes Renaissance armour as three-d pics throughout the case reports of 3 buyers of luxurious armourers, Guidobaldo II della Rovere (1514-75), Charles V Habsburg (1500-58 and Holy Roman Emperor from 1519-56), and Cosimo I de'Medici (1519-74). a desirable exposition of male self-representation, Armour and Masculinity within the Italian Renaissance explores the importance of armour in early smooth Italy as either cultural artefact and symbolic form.
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Armour and Masculinity in the Italian Renaissance (Toronto Italian Studies (Paperback)) by Carolyn Springer